Army of YouTube

Well, Googie in Super 8½says “I don’t give a damn about continuity.” And it is kind of a luxury, continuity. Because you have to have a person who is specifically hired to do that job and you really need someone who knows what they’re doing. The person who was doing it on Otto had no clue what she was doing and she’d never done it before and she would come to me and explain all the continuity errors of a scene that I just shot after the fact. And I’d be like, “Oh well, thanks for telling me now”. After everything had been shot…

Tagged: avant-garde, Rosemary Heather, video, Bruce La Bruce, LA Zombie, TIFF, porn film, porn star, François Sagat, French, Independent Film, vampires, Twilight, Los Angeles, Otto, Jey Crisfar, Sex, Gay, Gay Sex, Porn, Art, Tony Ward, Zombies, film, underground, punk, Please Kill Me, 2012, Pasolini, Theorem, interview, Toronto, You Tube, Indie, LA, Gay Marriage, Blog, Hustler White, Santa Monica Boulevard, hustlers, hustler, fetish, Samuel Delaney, The Mad Man, homeless people, pornographic, sexually explicit, DVD, sex scenes, camera, horror-gore-porn, movie, Sony digital cameras, zeitgeist, True Blood, Buffy the Vampire Slayer, genre, The Raspberry Reich, Mayan End of Time, black hole, 2028, Phantom Red Dwarf, APEngine, Army of YouTube, Gay Avant-Garde, Experimental, homosexual, Warhol, Morrissey, John Waters, Kenneth Anger, Jack Smith, Curt McDowell, gay filmmakers, gay movement, radicalism, gay culture, JD’s, Seven Days in the Art World, Christie’s, Matthew Collings, Farrah Fawcett, Playboy, Matthew Barney, Saw VI, Melbourne International Film Festival, banned films, queer, Canada, Canadian, homocore