If small-scale paintings are like exercises, these works are exercises in Langer’s ability to remember in paint. He captures the intermediate space of his own recent past. All of the works are painted on pieces of wallboard, some of which came from the now defunct Audubon Hotel in New Orleans, where the artist was resident in 1999. Hovering between figuration and abstraction, the paintings mostly depict interiors, rooms remembered in terms of an angle of light on a corner of the ceiling or the floor. All of the paintings consist of flatly applied laminae washes of oil paint, the objective being to portray the idea of two-dimensionality as it dissolves into light.