Rodney La Tourelle: In the Absence of Unambiguous Criteria

August 11, 2011 § Leave a comment

Rodney LaTourelle, In the Absence of Unambiguous Criteria, 2007

Rodney LaTourelle, In the Absence of Unambiguous Criteria, 2007

For his show at Program Berlin-based Canadian artist Rodney LaTourelle created one of his so-called walk-in paintings, a site-specific installation he has created in a number of cities internationally. Occupying two-thirds of the venue’s store-front exhibition space, the maze-like structure came complete with ceilings and three small, all but hidden, vestibules with a built-in seat that was big enough for one person. Leaving the construction’s steel studs visible on the outside like the frame on the back of a canvas, visitors to the exhibition could navigate the work’s three interconnecting hallways, each one painted with alternating bands of colour; of three sets in all, these vertical stripes comprised the work’s fictive dimension. Using natural light from the venue’s exterior windows, which the structure abutted, and ceiling-mounted florescent lights at each section’s opposite end, LaTourelle created the tactile conditions for shifting perceptions of colour, light and self

By Rosemary Heather

Rodney La Tourelle, In the Absence of Unambiguous Criteria was presented at Program, Berlin, Winter 2007

This text was orginally published in Von Hundert, Berlin, Spring 2007

Advertisements

Tagged: , , , , , , , , ,

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

What’s this?

You are currently reading Rodney La Tourelle: In the Absence of Unambiguous Criteria at Army of YouTube.

meta

%d bloggers like this: