September 18, 2019 § Leave a comment
Including the inaugural Toronto Biennial of Art, Hito Steyerl at the AGO, Hajra Waheed at the Power Plant, Nuit Blanche and more
The upcoming art season is packed with interesting shows, but the biggest hype is around the newly hatched Toronto Biennial of Art, launching at multiple locations on September 21.
A staple in cities internationally (there are over 300 biennials globally), Toronto is a latecomer to the format of a large-scale international art show presented every other year. The curatorial team is led by Candice Hopkins, who was one of the curators for the Canadian effort at this year’s Venice Biennial, the granddaddy of the format (founded in 1895).
Complementing the Biennial is the 14th edition of Nuit Blanche. The always popular all-night event encompasses City Hall, Don Mills and Scarborough’s Civic and Town Centres (added last year), while offering an expanded program at Fort York that extends to the edge of Liberty Village.
Crowds who frequent Nuit Blanche will know what to do at the Biennial: venture out into the city to see it anew as it gets reframed and repurposed by artists’ works. Here is a list of our most-anticipated exhibitions for further art-going in the coming months.
Deanna Bowen, God Of Gods: A Canadian Play
At Art Museum at the University of Toronto (7 Hart House)
September 4-November 30
Black Canadian artist Bowen is renowned for using archival research to tell stories left out of official histories. For Hart House’s centennial celebrations, she reimagines Carroll Aikins’s play, originally staged there in 1922, which used Indigenous motifs to look at the horrors of war. Bowen has created a film that examines Aikins’s work through dialogue with Indigenous writers and artists.
Jay Isaac, Midnight Repairs / Ron Giii, Geometry Street
At Paul Petro Contemporary Art (980 Queen West)
September 6-October 5
These simultaneous shows of painting and drawing are by a mid-career and senior artist respectively. Isaac presents a suite of witty black-and-white paintings with urban themes. Much loved artist Giii is self-taught and known for drawings featuring a solitary figure on the page. Recently he surprised fans by branching out with the sparse geometric works presented in this show.
Olga Korper Gallery (17 Morrow)
September 7-October 5
Over the course of 30-odd years, Toronto artist Andison has refined her practice, which focuses on kinetic sculpture and installation. Whereas earlier work has an outright figurative emphasis, Andison more recently is making smart, minimalistic kinetic works that have no less relevance to the body as it is changed by an encounter with artworks.
Zalucky Contemporary (3044 Dundas West)
September 13-October 12
Based in Montreal, Tremblay has built up a thriving international painting career by making effortlessly cool-looking still life abstractions. For her second show with gallerist Juliana Zalucky, the artist is showing a series of works based on her visit to Arcosanti, an experimental eco-architectural community in Arizona.
Undomesticated, Mary Anne Barkhouse, Sandra Brewster, Erika DeFreitas, Lucy Howe, Nicolas Fleming and others
Koffler Gallery (180 Shaw)
September 18-November 17
This sprawling group show sheds light on how domestic lives are in an uneasy relationship with the natural world. Lucy Howe’s melting couches and other deformed furniture sculptures are typical of the ways artists are adept at making everyday things look unfamiliar. Nicolas Fleming adds an extra dimension of strange to this show through a rough-hewn immersive environment that frames the overall exhibition.
Toronto Biennial of Art, Maria Thereza Alves, Judy Chicago, Dana Claxton, Shezad Dawood, Naufus Ramírez Figueroa, Kapwani Kiwanga, and Curtis Talwst Santiago and others
259 Lake Shore East and other locations
September 21-December 1
This milestone art event for the city features a stellar international lineup of artists and an extensive slate of public programs. All events are free, spanning numerous venues – including Riverdale Park and a film program presented at the Cinesphere – along with the show’s massive main venue on Lake Shore East. How we live “in relation” (and also out of sync) is the show’s overarching theme. On view is a procession featuring visiting youth artists from Cape Dorset, Nunavut as well as their banners, costumes and sculptures.
Hajra Waheed, Hold Everything Dear
The Power Plant (231 Queens Quay West)
September 21-January 5
The widely shown multidisciplinary Montreal artist (who is also part of the Biennial) has created an installation that includes 100 small works on paper. Through the intimacy of handmade details, Waheed investigates complex themes like geopolitics and surveillance. These preoccupations, derived in part from a childhood spent in a gated compound in Saudi Arabia, speak to how the complexity of the contemporary world gets filtered through personal experience.
Nuit Blanche, Daniel Arsham, Esmaa Mohamoud, Ghost Atelier, Javid Jah, Simin Keramati, Kent Monkman, Sophia Oppel, Ebony G. Patterson and others
Nathan Phillips Square, Scarborough Civic Centre and other locations
Given the massive crowd that enjoyed the Raptors’ victory parade, it’s fitting that the spirit of that event continues at Nuit Blanche. Artists Bryan Espiritu and Esmaa Mohamoud unveil their sculpture commemorating the team’s 25th anniversary. Other highlights include Daniel Arsham’s luminous monochrome Zen Garden at City Hall, and Drake collaborator Director X, who offers a sequel to his landmark work about environmental destruction from Nuit Blanche in 2016. Presented at the Ontario Science Centre, the installation is on view until January 5.
Hito Steyerl, This Is The Future
Art Gallery of Ontario (317 Dundas West)
October 24-February 23
The AGO hosts celebrated German artist, filmmaker and writer’s first solo show in Canada. Steyerl is known for looking at the production and circulation of images as a way to tell a story about wider issues of global politics, technology and economics. Three of her large-scale works are featured, including HellYeahWeFuckDie (2016), a standout at the Skulptur Projekte Münster 2017. Steyerl chats with critic Brian Droitcour on October 23.
Maryse Larivière, Under the Cave of Winds
Gallery 44 (401 Richmond #120)
November 1-December 14
The always inventive Larivière has a multi-faceted practice that includes sculpture, collage, performance and writing. For this exhibition, she presents a black-and-white 16mm film featuring a female protagonist held captive at a remote island location. A follow-up to a novel she wrote with the same theme, Larivière sees such scenarios as an analogy for her role as an artist.
January 4, 2019 § Leave a comment
Look out for the Toronto Biennial of Art and exhibitions featuring work by Brian Jungen, Chantal Akerman, Carrie Mae Weems and Daniel Arsham
If last year is anything to go by, 2019 promises more social media exodus and a world slightly less obsessed with connected devices. Art galleries offer a good alternative. Instead of the light emitting from the mobile or computer screen, light therapy as art is on offer. And come September, Toronto gets the art biennial it has long been waiting for, featuring local and international artists at venues adjacent to Lake Ontario.
VAJIKO CHACHKHIANI: THEY KEPT SHADOWS QUIET
Scrap Metal Gallery, October 11, 2018-March 30, 2019
The first solo show in North America by the young Georgian artist is the most ambitious exhibition staged to date by this private gallery. It features a number of works, including a specially built “inverted” immigration checkpoints. Using two way mirrors in reverse direction, visitors can surveil the occupants of the booths, which are manned by actors every Saturday from 1-4 pm for the duration of the show.
SANAZ MAZINANI: LIGHT TIMES
Stephen Bulger Gallery, January 12-February 23
Known for her large-scale mosaic works embedded with political content, Mazinani returns to her hometown for this back-to-basics study of photography. Camera-less photos (i.e., light exposed to photosensitive paper) form the basis of this show – but Mazinani’s larger agenda is revealing the manipulations, framing and cropping that create photographic “truth.”
TRUE TO THE EYES: THE HOWARD AND CAROLE TANENBAUM PHOTOGRAPHY COLLECTION
Ryerson Image Centre, January 23-April 7
A presentation of over 200 works from the Toronto philanthropists’ private collection. The sheer range and eclecticism of the photos on view – including Brassaï, vernacular works, Diane Arbus and Edward Burtynsky – offers insight into how genres within the medium have evolved. A useful point of reference for photography’s expanded digital life today.
JAAN POLDAAS: A COLOURFUL LIFE
Birch Contemporary, February 7-March 2
This is a memorial exhibition for the Swedish-born Toronto-based artist who died in October. Poldaas made vibrant, hard-edged abstract paintings, working within set rules he imposed on his practice such as using primary colours and the colour grey in differing shades. This framework allowed him to discover constant variation in composition throughout his career.
LIGHT THERAPY &
MOCA, November 28-April 30/ MOCA, February 14-April 14
Here are two good reasons to visit MOCA’s new location. Slovenian artist Šušteršič presents a light therapy room as part of the museum’s interest in exploring the role galleries play in supporting well-being. Visitors who become MOCA members can also book it for private sessions. Filmmaker Akerman, who died in 2015, was one of Europe’s foremost auteurs of the last 50 years. While many of her films have screened in Toronto, MOCA is hosting the first museum presentation of her installation work.
CARRIE MAE WEEMS: HEAVE
Art Museum at University of Toronto, CONTACT Photography Festival and three public sites, May 3-July 13
Part of this year’s Contact Photography Festival, this show marks the first solo exhibition in Canada by this important African-American artist. Weems is known for her photo-based installations that incorporate film, daguerreotypes, textiles and period-specific dress. Her tableaux reflect on how power functions in society, in part by making viewers aware of the constructed nature of photography.
Art Gallery of Ontario, June 20-August 25
A solo exhibition by the celebrated West Coast artist touches down at the AGO this summer. Jungen is known for remaking everyday items, like Nike shoes or plastic lawn chairs, into powerful sculptural works. The artist’s always inventive refashionings often reference his Indigenous heritage. His use of mass-produced materials also critiques the conventions of museum display and the value of the objects collected therein.
Cooper Cole Gallery, September TBA
The New Zealand-born artist’s debut solo show will feature beguiling works that are part sculpture, part installation. Working with ceramics, bricks, glass and found materials like pebbles and other detritus, she often uses the floor and other overlooked parts of the gallery to subtly shift visitor experience – as well as the concept of what can be art.
TORONTO BIENNIAL OF ART
Various venues on Lake Ontario, opens September 21
Biennials are the lingua franca of the international art world and Toronto is long overdue to host its own. This 90-day event is helmed by Candice Hopkins and Tairone Bastien, two smart, experienced curators who have announced a theme focused on the history embedded in the city’s waterfront – the site of settlement, trade and Indigenous histories. Featured artists include Althea Thauberger, Shezad Dawood and Syrus Marcus Ware.
Various venues, October 5
The city’s all-night public art event again includes venues in Scarborough and adds first-time locations Fort York and the Garrison Common. Nathan Phillips Square will host an installation by Daniel Arsham. Few details are available, but given he works with meta-architecture firm Snarkitecture, it’s a good bet the New York artist’s piece will be big and involve the colour white. The deadline for artists to submit proposals for the Open Call section is February 4. 11 art exhibitions to be excited about in 2019