July 8, 2011 §
Apichatpong Weerasethakul, A Letter to Uncle Boonmee, Thailand 2009
By far the best film I saw in Wavelengths was A Letter to Uncle Boonmee (2009) by Apichatpong Weersethakul. In a landscape of pretenders, Weersethakul is the real deal: an artist working at the leading edge of cinematic practice today. Far from keeping his audience at the formalised distance so characteristic of the avant-garde ethos, he makes full use of cinema’s ability to immerse viewers in an experience of time and place. As with Weersethakul’s features, A Letter… is highly evocative of its location (in a luscious, rain-soaked Nabua in northeastern Thailand), but otherwise has little in common with conventional narrative cinema. Lacking the perspective of any view of the horizon, panoramic shots of the jungle work to create an interior space, inside of which the film situates the viewer. Matching the circular movement of the camera is the narrator’s repeat readings of the titular letter. Far from being an exercise in cinematic distanciation, Weersethakul makes believers
of us all.
September 5, 2010 §
Bruce sees porn as the last radical art form
Well, Googie in Super 8½says “I don’t give a damn about continuity.” And it is kind of a luxury, continuity. Because you have to have a person who is specifically hired to do that job and you really need someone who knows what they’re doing. The person who was doing it on Otto had no clue what she was doing and she’d never done it before and she would come to me and explain all the continuity errors of a scene that I just shot after the fact. And I’d be like, “Oh well, thanks for telling me now”. After everything had been shot…