Althea Thauberger

July 8, 2011 § 3 Comments

Althea Thauberger, A Memory Lasts Forever (2004)

If the observer effect describes the consequences of observation on the thing observed, the consternation effect is more specific: it refers to the feeling one gets watching video works by the Vancouver-based artist Althea Thauberger—what to make of them?

Thauberger’s art is capable of provoking the extreme discomfort of the sophisticated confronting the naive. This is especially true of Songstress (2001–02), the work that first brought the artist wide attention. Songstress has all the hallmarks of Thauberger’s art practice, which consists of creating portraits of social groups by initiating collaboration with them. The project began with an advertisement Thauberger placed in a Victoria newspaper seeking young female singer/songwriters.

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Phil Collins talks to Rosemary Heather

July 7, 2011 § Leave a comment

RH: Can you tell me the title of your new film?

PC: It’s called ‘zasto ne govorim srpski (na srpskom)’ (2008). The title is in Serbian, and it means “Why I don’t speak Serbian (in Serbian)”. I have been working in the Balkans for the last 10 years, quite regularly, and have spent a reasonable amount of time in Kosovo. I’m really interested in historical and social contradictions that the conflict has thrown up. One time I visited, in 2003 maybe, I was with a friend from Croatia. We were at a video conference, and it was really cold. In order to warm up, we said, “Well, let’s go and get a beer.

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